What is it that makes this film feel so “twenty years ago”, and why is that not good enough any more?
Tag: emile hirsch
Southern style deep-fried murder might look good on the plate, but not everybody is going to want to take a bite.
I’m slightly late to the party in posting this trailer (it’s been around for easily a month or two)…but I finally caught the clip before … Read More ›
Gus van Sant’s beautiful portrait of different sort of hopeful audacity.
Sean Penn lends some visual poetry to one starry-eyed idealist’s moment of self-destruction.